Feature Films In Competition for the 2019 AACTA Awards presented by Foxtel
Films vying for an AACTA Award nomination include HOTEL MUMBAI, I AM MOTHER, THE KING, THE NIGHTINGALE, PALM BEACH, RIDE LIKE A GIRL and TOP END WEDDING.
In an industry first, THE KING, a Netflix Original, has been considered an eligible feature film in competition without screening theatrically in Australia. Featuring Australians across all key creative roles - director David Michôd, screenwriters Michôd and Joel Edgerton, actors Ben Mendelsohn and Edgerton, and producers Edgerton, Michod and Liz Watts - the Australian Academy have included the film given the significant reach of its distribution strategy and recognition at major international film festivals.
This marks the second time that the Australian trio – Edgerton, Mendelsohn and Michôd - will compete for nominations at this year’s AACTA Awards following the critically acclaimed ANIMAL KINGDOM (2010).
Also in competition for the 2019 AACTA Awards presented by Foxtel is Anthony Maras’ feature film directorial debut HOTEL MUMBAI, starring emerging Australian actress Tilda Cobham-Hervey and international actor and AACTA Award winner Dev Patel, as well as Grant Sputore’s Netflix Original film I AM MOTHER starring AFI | AACTA Award winner Rose Byrne alongside international actress Hillary Swank. AACTA Award nominated director Sophie Hyde’s Australian-Irish co-production ANIMALS is another testament to the globalisation of the Australian film industry, bringing her Australian creative team together with international stars Holliday Granger and Alia Shawk at to craft a unique coming-of-age story with universal appeal.
This year’s slate of feature films in competition represent a wide range of genres and themes, highlighting our industry’s achievement in original and compelling storytelling. From the ever-increasing numbers of genre films, through to powerful dramas and idiosyncratically Australian comedies, the 34 competing films really do offer something for everyone, with a wonderful diversity of themes created by first timers and experienced filmmakers alike.
The full list of feature films in competition are: ACUTE MISFORTUNE, ANGEL OF MINE, ANIMALS, BILCHED, BOOK WEEK, BUOYANCY, CELESTE, CHOCOLATE OYSTER, THE COMBINATION REDEMPTION, DANGER CLOSE: THE BATTLE OF LONG TAN, EMU RUNNER, ESCAPE AND EVASION, HEARTS AND BONES, HOTEL MUMBAI, I AM MOTHER, JUDY & PUNCH, JUVENILE DELINQUENTS, THE KING, LOCUSTS, THE NAKED WANDERER, NEKROTRONIC, THE NIGHTINGALE, OUTBACK, PALM BEACH, PIMPED, PROMISED, REFLECTIONS IN THE DUST, RIDE LIKE A GIRL, SEQUIN IN A BLUE ROOM, SLAM, STORM BOY, SUBURBAN WILDLIFE, TOP END WEDDING and UNDERTOW.
Read more about each of the feature films in competition here.
Among those making their feature film directorial debuts are AFI | AACTA Award winning and Oscar® nominated actress Rachel Griffiths’ with RIDE LIKE A GIRL, alongside exciting new talent including Samuel Van Grinsven’s SEQUIN IN A BLUE ROOM and Thomas M Wright’s ACUTE MISFORTUNE. Previous AACTA Award winning writer and director Jennifer Kent features in competition with her acclaimed sophomore film THE NIGHTINGALE, alongside PALM BEACH from the AFI Award winning and Golden Globe nominated Rachel Ward.
The feature films in competition also feature an impressive list of top Australian talent and previous AFI | AACTA Award Winning actors, including: Bryan Brown (PALM BEACH), Daniel Henshaw (ACUTE MISFORTUNE), Damon Herriman (JUDY & PUNCH, THE NIGHTINGALE), Jacqueline McKenzie (PALM BEACH), Sam Neill (PALM BEACH, RIDE LIKE A GIRL), Richard Roxburgh (ANGEL OF MINE), Mia Wasikowska (JUDY & PUNCH), Hugo Weaving (HEARTS AND BONES) and Odessa Young (CELESTE).
This year’s mix of feature films in competition also include an impressive showcase of talent vying for their first AACTA Award nomination including: Jai Courtney (STORM BOY), Travis Fimmel (DANGER CLOSE: THE BATTLE OF LONG TAN), Natasha Liu Bordizzo (THE NAKED WANDERER), Jessica McNamee (LOCUSTS), Radha Mitchell (CELESTE), Yvonne Strahovski (ANGEL OF MINE) and Toby Wallace (ACUTE MISFORTUNE).
“It’s an incredibly interesting year for the Australian film industry, with an increasing amount of cinema quality films opting for digital distribution models. From large-scale productions to those vying for our Best Indie Film award, on-demand viewing is fast becoming a viable option for productions to have their work seen by a wide audience, which is expanding our creative relationships globally,” said AFI | AACTA CEO Damian Trewhella. “The quality and diversity of each of the feature films in competition is reflective of the Australian industry’s distinct ability to reinvent itself. The amount of women in key creative roles among this year’s slate of films in competition offers fresh takes on traditional genres and storytelling from unique perspectives. We look forward to seeing how the Australian industry votes in what is another fantastically competitive year.”